bondan prakoso

Ketika mimpimu yg begitu indah,
tak pernah terwujud..ya sudahlah
Saat kau berlari mengejar anganmu,
dan tak pernah sampai..ya sudahlah (hhmm)

*reff:
Apapun yg terjadi, ku kan slalu ada untukmu
Janganlah kau bersedih..coz everything's gonna be OKAY

Santoz:
yo..Satu dari sekian kemungkinan
kau jatuh tanpa ada harapan
saat itu raga kupersembahkan
bersama jiwa, cita,cinta dan harapan

Lezz:
Kita sambung satu persatu sebab akibat
tapi tenanglah mata hati kita kan lihat
menuntun ke arah mata angin bahagia
kau dan aku tahu,jalan selalu ada

titz:
juga ku tahu lagi problema kan terus menerjang
bagai deras ombak yang menabrak karang
namun ku tahu..ku tahu kau mampu tuk tetap tenang
hadapi ini bersamaku hingga ajal datang

B:
Sempat kau berharap keramahan cinta,
tak pernah kau dapat..ya sudahlah
yeeah..dengar ku bernyanyi..lalalalalala
heyyeye yaya dedudedadedudedudidam..semua ini belum *****hir

back to *reff

F2B:
satukan langkah..langkah yg beriring!
genggam hati, rangkul emosi!

B:
Genggamlah hatiku, satukan langkah kita

F2B:
Sama rasa, tanpa pamrih
ini cinta..across da sea

B:
peluklah diriku..terbanglah bersamaku, melayang jauh.. (come fly with me, baby)

F2B:
Ini aku dari ujung rambut menyusur jemari
sosok ini yg menerima kelemahan hati
yea..aku cinta kau..(ini cinta kita)
cukup satu waktu yes.(untuk satu cinta)

satu cinta ini akan tuntun jalanku
rapatkan jiwamu yo tenang disisiku
rebahkan rasamu..untuk yg ditunggu
BAHAGIA..HINGGA UJUNG WAKTU..

Jabulani problems i found it in some forum lol

The much-criticised World Cup football has received mixed reaction from players now that it is actually being used in tournament matches. There had been a torrent of criticism for the Jabulani ball, which was made especially for South Africa 2010, and was unveiled amid much fanfare by adidas, the company that makes the ball.

But after the first couple of games opinions differed, perhaps reflecting the difference in altitude rather than the ball itself. The opening day was toughest at Johannesburg’s Soccer City stadium 1,740 metres above sea level. “It is a problem,” said South Africa midfielder, Kagisho Dikgaco. “It’s difficult, when you have a long ball coming towards you and it’s waving around. But they’re not going to change the ball now.”

In Cape Town, at sea level, there was qualified praise from Diego Forlan to partly balance out the complaints and cautious punching by the keepers. “It’s a good ball, it’s better,” said the Uruguayan. “The problem is when you play in the altitude then it’s really quick. It’s harder to control, quicker coming to you.”

This contrasted with the general level of criticism beforehand, expressed most graphically by Brazilian midfielder Felipe Melo. “The ball is horrible, it’s hard to believe that such a ball will be used in a World Cup,” he said. “The other ball is like a nagging woman: you kick her and she’s still there. This one is like a spoiled little rich kid, who doesn’t want to be kicked in any way.”

It isn’t just South Americans brought up on makeshift pitches and improvised balls; most players dislike it. That the handful of favourable reviews emerged from men partially remunerated by sponsorship deals with the manufacturer hardly helps adidas’ case — but it wasn’t meant to be this way.

The Jabulani was part designed in England by Dr Andy Harland, who has a PhD and a decade’s experience in “engineering” footballs. Dr Harland’s expertise measuring the flight of spherical objects and a wind tunnel at Loughborough University, were used to confirm that it is “the most stable and most accurate adidas ball ever”.

Like its in-house predecessors, the Jabulani is stitchless. A reduced number of panels and a new configuration of aerodynamic grooves are claimed to “provide unmatched flight characteristics”. So what’s gone wrong? By Dr Harland’s account, they simply don’t kick consistently enough.

The Jabulani isn’t any lighter than previous designs, but the revised aerodynamics do mean it flies through the air 5% faster. A higher velocity, says the scientist, means that small variations in striking angle can result in increased changes in the travel of the ball. The high altitude at which some matches are being staged could further increase ball speed and flight variation.

“I realise a number of players have made complaints,” says Dr Harland. “But with the best will in the world, there isn’t a player who can kick the same way twice. Our kicking robot can.” Strike it the same way, however, and according to Dr Harland’s wind-tunnel tests the Jabulani will respond more consistently than any before it. “Footballers should be rewarded for their skill by a ball that responds uniformly. The desire wasn’t to flummox the players with unpredictable flight.”

Holland knew they were in trouble when assistant coach, Philip Cocu, tried kicking it around at the team’s South African training base with Frank Rijkaard. If two of the finest strikers of a ball in the nation’s storied history couldn’t handle the Jabulani what were they to do? As for England, the ball was offered directly to the FA in February, but opportunities to use it with the team were limited; there were just two training sessions before each of two Wembley friendlies this year.

England are, in any case, contracted to use Umbro balls as part of their own sponsorship deal, although the squad has used the Jabulani continually since assembling on 17 May.

Frank Lampard is one player who has spoken favourably about the Jabulani. He has been acquainted with it longer than most, from the design phase at Loughborough University.

“This ball is quite true in its flight when you hit it cleanly, which is what you want,” he has said. “There is obviously a lot of human error in football, on certain days you catch the ball wrong [and] as players we look to criticise ... If players are moaning about the size or the weight I think that is probably just football players.”

Lampard’s Chelsea team-mate, Petr Cech, has also been fairly positive about the ball. “At first when I saw the ball I thought very nice ball but is it going to be disturbing much when it flies? I would say no, because when the ball is in the air you hardly see too much colours because the white one is really dominant so, in this respect no problem for the goalkeeper,” Cech said.

“As I said it is nice to catch, it feels good in the hands as well as kicking, it has a good control when I try to kick it. I like even the way that there is not many cuts on the ball, it is quite solid and all together so this is a new for me as well.”

Adidas has a seven-year contract, for which the firm paid £200m, to be official ball suppliers to Fifa between 2007 and 2014. Of the firm’s annual global income of around £8.5bn, some £1bn is from football products, including kits and balls. Adidas hopes to sell around 15m Jabulani balls in 2010, ranging in cost (retail prices) between £14.99 and £80. Those potential ball sales are believed to be worth around £60m this year.

The ball was used at the 2010 African Nations Cup and in leagues in South Africa, Argentina and the USA

just iwan fals

now i creating my blog again.i create this because of the lazy teacher want to read some story before she sleep. okay i only can write about someone biography in this night. the biography about Iwan Fals.

Virgiawan Listiirgiawan Listianto (Iwan Fals)
Vocals
Place/ Date of Birth
Jakarta/ September 3, 1961
Interests
Soccer, karate, painting

JakaIwan Fals, born Virgiawan Listanto on 3 September 1961 in Jakarta, is a charismatic Indonesian singer/songwriter and remembered as Indonesia’s the most dangerous singer on the ’80s and ’90s.

He was popular for his gritty-witty ballads accentuated on life of Indonesia’s marginalized groups or political satire on the troubled Indonesian social/political scene under Suharto. His socially aware hit-songs including: “Omar Bakri” tells about teacher, “Lonteku” is a love story between a criminal and a prostitute, and “Wakil Rakyat” is about members of parliament.

After Reformasi movement on 1997 which leads to democratisation he was a kind of losing the edge for political satire, but his mature musical experience keeps him on Indonesian pop chart with inward-looking songs and songs about personal relationships.

and now iwan gals still write songs about the politic in indonesia. And many of his songs get some award and I think iwan fals can become a legend in the music world.

kesialan gw hari ini

pagi hari" berjalan seperti biasa. gag ada apa" tetapi ketika jem pelajaran EKONOMI. wow ada satu tugas dateng menghampiri gw secara mendadak kaya pocon yg tiba" didepan mata. ntah guru nya kesambet apa. sebelum dikasih tugas sih enak ada pertanyaan. " nanti materi ulum mo dikluarin perhitungan rasio ag anak-anak"
semua pasti jawab ngga lah. tu materi susahnya stngh mati n ribet. lalu guru berkata " yasudah klo gag mau buat tugas ya bikin perhitungan ratio yg ada di KORAN. kumpul SENEN." dengan terpaksa itu menjadi salah satu kesialan gw hari ini. pas pulang skolah ntah knp jemputan gw mindahin gw ke jmptan lain. OK w turuti, disana gw sih disruh turun korsinya sendiri gara" lupa diturunin tu kursi phanterrnya. TETAPII pas gw turuni KRRIIIEEETTT jbret tangan gw kejepit n  muncul gunung warna biru ditangan gw. pertama gw mikir " ohh lucu ya tgn gw bisa biru" kaya sodara hulk" tapi... gw mncoba pncet wadaow sakitnya bujubuneng. gw terpaksa menjadikan pertistiwa itu kesialan kedua w. pas nyame rumah gw dah mikir pgn les mat hari ini buat bljr mat ulangan umum. ok tiba" gw ketiduran n kebangun pas jem les abis. WADAW GMN GW MO BLJR ULUM !!! itu jadi kesialan ketiga w dan semoga jadi kesialan terakhir w,.

fourplay jazz band

history For nearly two decades, the contemporary jazz quartet known as Fourplay has enjoyed consistent artistic and commercial success by grafting elements of R&B, pop and a variety of other sounds to their unwavering jazz foundations. In the course of ten recordings – five of which have climbed to the top of Billboard’s Contemporary Jazz Album charts – the supergroup has continued to explore the limitless dimensions and permutations of jazz while at the same time appealing to a broad mainstream audience.
The Fourplay story begins in 1990, with keyboardist Bob James, who had already established himself as a formidable figure in keyboard jazz – not just as an instrumentalist but as a composer and arranger as well – with solo recordings dating as far back as the mid 1960s. In 1990, James reunited with his old friend, session drummer Harvey Mason (Herbie Hancock, Sergio Mendes, James Brown), during the recording of James’ Grand Piano Canyon album. Also involved in the project were guitarist Lee Ritenour (Sergio Mendes) and bassist/vocalist Nathan East (Barry White, Eric Clapton, Phil Collins).
The Grand Piano Canyon sessions marked the genesis of the group that eventually came to be known as Fourplay. Their self-titled debut album was released in 1991, and included a blend of jazz, R&B and pop.
The original lineup of James/Ritenour/East/Mason stayed together for three successive albums, including Elixir (1994), a set that features some high-profile guest vocalists: Phil Collins, Patti Austin and Peabo Bryson. East also delivers some noteworthy vocal contributions on Elixir, and has continued to do so throughout most of Fourplay’s subsequent studio outings.
Ritenour, whose guitar work in tandem with James’ keyboards served as the cornerstone of the early Fourplay sound, left the lineup in the mid-1990s and was replaced by Larry Carlton (The Crusaders, Joni Mitchell, Quincy Jones). Carlton made his first studio appearance with the band with the release of 4 in 1998. 4 included compositions by all four members, as well as an impressive crew of guest vocalists: El Debarge, Babyface Edmonds, Kevyn Lettau and Shanice.
Following the 1999 release of Snowbound, a mix of traditional and contemporary holiday songs, Fourplay shook things up a bit with Yes Please!, an album that challenged the standard definitions of contemporary jazz by incorporating elements of blues, funk and even Celtic music. JazzTimes critic Hilarie Grey called Yes Please! “an expansive album that incorporates each artist’s strengths, and in the process travels in some unexpected directions.” Grey added: “Yes Please! works where similar projects fail simply because it lets its artists play, without imposing artificial boundaries.”
The sense of experimentation continued with the 2002 release of Heartfelt. The material in this set emerged from a series of improvisational performances that were assembled into full compositions. As a result, the tunes have less clearly defined melodies, but the overall album is both exploratory and accessible at the same time.
Journey, released in 2004, is a laid-back affair, but complex at the same time. Consistent with Fourplay’s eclectic philosophy, Journey incorporates a range of stylistic elements – as evidenced by such high points as the delicate cover of the 1993 Sting hit “Fields of Gold” and the bossa nova flavored “Rozil.”
X followed in 2006, with guest vocals by blue-eyed-soul icon Michael McDonald, who delivers an inspired rendition of Steve Winwood’s “My Loves Leavin’.” JazzTimes called X “a softly funky, superbly crafted and unapologetically low-key album.”
Fourplay joins the prestigious roster of artists on the Heads Up International label with the September 23, 2008, release of Energy. Carlton promises that the band’s maiden voyage with Heads Up “will be a continuation in the growth of the Fourplay sound. We look forward to delivering the next chapter in the Fourplay story and having Heads Up deliver it to the world.”
East is equally optimistic. “I look forward to an adventurous, classy and soul-filled record that showcases our talents individually and collectively,” he says. “Until the last note is played, it’s hard to predict the exact direction. That’s what we love about jazz – the improvisation that happens in the moment.

ulum sudah dekatttt

woadaow ulum mendekat ajalpun tiba. dah catetan mana catetan kga lengkap semua.total catetan gw di skolah hanyalah catetan mat aja. mampss gw mo minjem sapa ya arghh someone help me solve this probleemmmm

2012

ternyata film 2012 luar biasa bagus. mana katanya MU* bilank ag bagus. padahal gag kontroversi ah. M*I nya aja yg parno. itu kan hanya sekedar film bukan buat nakut"in ckckckc. lagian tu film banyak sisi positifnya. contoh : percaya pada org, rela berkorban, mau menolong org lain,tidk mentingin duit,mempunyai hati nurani, dan harus punya rasa kemanusiaan. film bgus gitu masa suruh dicabut sih. payahh neh si *** weks. lihat sinopsis film 2012.